"DiEugenio’s terse, spare approach bears noting, sometimes recalling the deliberately-astringent style of Paul Zukofsky…"
- I Care if You Listen
February 2018
American Record Guide
“Violinist Nicholas DiEugenio played with rapturous poetry…”
February 2018
I Care if You Listen
“DiEugenio’s terse, spare approach bears noting, sometimes recalling the deliberately-astringent style of Paul Zukofsky…”
April 2017
New York Times
“The Tenet-Sebastians production was a riveting example, easily the most compelling of the recent spate of New York performances.”
April 2017
New York Times
“Nicholas DiEugenio’s performance of the hugely challenging Chaconne was excellent.”
November 2020
Classical Voice of North Carolina
“DiEugenio captured the emotional character of Bach’s works. Viewing his performances, to see close-up his face and body language, allowed one to see the artist’s complete engagement with the music.”
December 2018
Gapplegate Classical Modern Music Review
“The duo of DiEugenio and Solomon are world-class and extraordinarily nuanced in how they bring out all the implications of these works.”
December 2017
Classical Voice of North Carolina (Sibelius Violin Concerto with UNC Symphony)
“DiEugenio displayed a full armory of technical fireworks, superb intonation, a full, refined tone, and nimble multiple stops. The depth of his interpretative insight was revealed over the course of the meditative slow movement. Both soloist and orchestra were unleashed in the finale…DiEugenio’s powerful tone and colorful palette were unabated while the student musicians gave their all.”
August 2017
Classical Voice of North Carolina
“DiEugenio, whose prowess as a fiddler clearly encompasses period practice and ‘modern’ violin playing…began with a HIP instrument, delivering an astonishing rendition…breathtaking for its artistry and technical assurance.”
November 2016
Classical Voice of North Carolina
“DiEugenio played with a unique, subtle humor that was always shown on his face…”
September 2016
ArtsJournal
“The Sebastians’ performances had a face, smell and color that I didn’t know I was missing. What did we ever do without those qualities? At times, I felt like I was hearing the music for the first time.”
March 2014
New York Times
”…evocatively rendered by Mr. DiEugenio.”
